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Musician's Gear Reviews


Traynor YCV40 Tube Guitar Amplifier Combo
by John Gatski, 8.20.2003
From the early 1960s to mid 1970s Traynor guitar and bass tube amplifiers were good value, work horses that filled many a club and music hall. After years of dormancy, the Traynor name is back with a line of new guitar amps that provide the same value and performance as the old line. more


Lowden F35 Walnut Acoustic Guitar
by Bob Kovacs, 9.20.2003
Although hand built guitars are usually quite expensive, that special personal touch in craftsmanship adds a character that is mostly missing in mass-produced acoustics. The Lowden F35 Walnut, priced at $3,925 is one of those special guitars. more


Fender Cybertwin Guitar Amplifier
by Andrew Roberts, 10.20.2003
Given the current popularity of digital modeling guitar amps, it seemed logical that Fender would create its own amp with the genuine tones of legendary tube amps, plus the effects and flexibility of digital amp technology. more


Carvin Cobalt Acoustics:C550 and C250S
by Bob Kovacs, 11.20.2003
Carvin has been making great value/performance, made-in-U.S.A guitars for many years. With the introduction of its Cobalt line of imports, the company now has applied its value formula to acoustic guitars. more


Martin J-40/D-40 Acoustic Guitars
by John Gatski, 12.20.2003
The standard 40 series Martin acoustics offer a combination of vintage and modern premium features in two styles: the jumbo-sized J-40 and the dreadnought, the D-40. Both are priced at $3,350. more


Gibson Emmylou Harris Signature Edition L-200 Mini-Jumbo
by John Gatski, 1.20.2004
Signature edition guitars usually cost more than the standard models they are based on, but sometimes the enhanced features make them worth the extra bucks. The Emmylou Harris L-200 signature guitar is one of those that is worth the money - well worth it. more


The New Les Paul Standard
by Matt Baker, 2.20.2004
Gibson recently introduced an updated and improved version of the venerable, 50-year-old Les Paul - the new Les Paul Standard. more


Parker NiteFly M
by John Gatski, 3.20.2004
When the futuristic looking Parker guitars came out in 1992, players seemed to either love them or hate them. There was no in between. The thin, easy-to-play contours and the light weight was not vintage enough for many vintage purists. more


Guild F50R Jumbo Acoustic Guitar
by Bob Kovacs, 4.20.2004
Since the 1950s,Guild has had a reputation as a premium acoustic and archtop guitar manufacturer, ranking up there with Martin and Gibson. Up until 2000, the Guilds were built in Westerly, Rhode Island. But parent company Fender moved the manufacture of the Guild acoustics and archtops to its Corona, California facility. One of the flagship models from the new production set up is the reintroduced F50R jumbo. more


Yamaha LLX-500C Acoustic/Electric Guitar
by Bob Kovacs, 5.20.2004
The Yamaha LLX-500C acoustic/electric cutaway guitar, is a gem of an acoustic/electric guitar and should be looked at seriously by any performer looking at guitars in its $2,399 or higher price range. more


Eastman Strings Uptown AR810 Jazz Guitar
by John Gatski, 6.20.2004
Solid-wood, hand-crafted, jazz guitars usually cost a lot of money. Upwards of $10,000 or more for some of them. With the Eastman Strings line of handcrafted archtops, you get solid wood, hand built quality for under $2,500. more


Takamine AN10 Acoustic Guitar
by Bob Kovacs, 7.20.2004
The Takamine AN10 is a best buy, all solid wood dreadnought acoustic guitar with a bright sound that excels at finger picking and recording. In fact, the guitar is shockinglygood, considering its $879 list price - with forward-shifted, scalloped bracing, all solid wood construction and hand-fit dovetail neck joint. A made-for-Takamine hardcase is an extra $100. more


Gibson ES-137 Semi-Hollow Archtop Guitar
by John Gatski, 8.20.2004
In the early 1990s, Gibson introduced the ES-135 semi-hollow, laminated maple guitar. The guitar was basically a two-pickup version of the 1960s archtop ES-125 with Florentine cutaway and trapeze tail piece. more


Gibson LC-3 Caldera Acoustic Guitar
by Bob Kovacs, 9.20.2004
It is amazing to me that a small guitar like the Gibson LC-3 Caldera can sound like a big guitar. The LC-3, a cutaway acoustic-electric guitar, will surprise you with the quality and volume of its sound, which is easily as good as premium dreadnaughts I have played. more


Carvin Cobalt C780 Jumbo Acoustic-Electric
by Bob Kovacs, 10.20.2004
The latest Cobalt to get the eye is Carvin Cobalt C780. It is a jumbo acoustic guitar with a cutaway and an electronics package that makes it suitable for all types of performing and recording. At $590 with case, this guitar represents a killer value. more


Taylor 710CE Acoustic/Electric Guitar
by John Gatski, 11.20.2004
In the last few years, Taylor Guitars has emerged as a major force in U.S.-made acoustic guitars. Martin, Guild and Gibson continue their traditional line of premium, hand-built acoustics with expected success, but Taylor seems to have the buzz. more


ES-333 Semi-hollow Electric Guitar
by John Gatski, 12.20.2004
Gibson's low-frill entry version of the classic dot-neck ES-335 is a steal at $1,699, duplicating the essence of its big brother, but with a signature of its own that is just a delight to hear. more


Talos Basic Guitar Amplifier
by John Gatski, 1.01.2005
Like Guitars, guitar amplifiers have their own flavor and sound. With tube amps, the vintage tone is often associated with Fender while more modern tones are connected to Marshall and Mesa Boogie. Likewise, the high-end boutique amps, such as the Talos Basic, also have their own flavor. In this case, the flavor is wonderfully sweet. more


Epiphone Elitist DOT Neck Semi-Hollow Electric Guitar
by John Gatski, 2.20.2005
The Gibson ES-335 came out in the late 1950s, and was hailed as a hybrid of the hollowbody and the solid body - the feel and warmth of the former and the sustain of the latter. more


RainSong WS1000 Guitar
by Bob Kovacs, 2.20.2005
Did you ever get completely turned around on something? Maybe there was a girl in your high school class who was nice enough but just didn't have what it took to strike that power chord in you. Then you saw her after she graduated from college and... WHOA! more



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