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Musing About IEMs--and what do you think?

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By Frank Wells.

Getting new IEM’s got me wondering…

I recently had a set of custom in-ear-monitors and the experience got me wondering how many musicians and engineers are using custom fitted earphones. I thought I’d share a couple of comments here and conduct a decidedly unscientific informal IEM survey—anyone have experiences to share?

The new 2X-S earphones I got were made from molds taken back at summer NAMM time—I went through the audiologist fitting routine when I picked the earphones up. Fitted earphones make a big difference in the ability to keep the earpieces seated properly—I have some universals and I like the way they sound, but the fit, with the various plastic inserts, are susceptible to breaking the seal with movement. The foam inserts are better in my experience, but maybe I’m best suited by some fit in between the sizes, as the mediums don’t keep a good fit for me, but the large ones get uncomfortable quicker. Getting a good initial fit is a bit more fiddly with the foamies though you get better at it with practice. I don’t have experience with the hard plastic inserts, but the silicone that Sensaphonics uses are certainly comfortable and seal well (and they sound good).

Sensaphonics currently has an “economic stimulus” program running (through the end of the year)—trading in any other brand of custom earphones nets a $250 price reduction.

Getting the 2x-Ss is also letting me try another new device from Sensaphonics, the dB check. Inserting this Nano-sized device between source and earphones lets you know what levels you are actually listening at (they know the sensitivity of their products, so the readouts are based on measuring input voltage and converting that reading to an at-ear dB SPL reading). In-ears are often touted for hearing conservation, but if you are listening too loud, you can still damage your hearing, and finally there’s a practical way to know how loud you are really listening (and the readings you get can be averaged across a user defined time window, then the results are shown not only in dB, but are correlated to hearing protection standards, the readout showing safe listening time in minutes). Yeah, that sounds like a commercial, but I’m jazzed to know how loud I really listen (and to get confirmation that I’m pretty reasonable with my levels). We did a bit on dB Check in Pro Sound News in September.

I look forward to hearing your experiences and preferences.

Posted by Clive Young at 11/17/2008 12:30:50 PM | 


I'm a long time user of IEM's and have had some issues with fit. I had used yellow foam inserts on Shure's back in the day and had good results, but they were difficult to "wad up" and get a good canal insertion. I got custom molds made, since I had a good experience getting custom earplugs made. However, a ridge in my outer ear made the custom molds protrude outward to a comical degree. Since then, I have used the soft rubber sleeves with my Futuresonics Atrios; don't laugh ... a bit of saliva helps them go in properly and stay in. The only fit related problem I ever face is a bit of leakage when opening my mouth widely to sing the big notes.

Bottom line; custom molds work great, but only if you have an outer ear that can accommodate your particular IEM's. If not, you'll probably be ok with rubber sleeves.
Posted by: Rob Tavaglione ( Email: | Visit ) at 12/2/2008 9:15 AM


Our performing musicians have found IEM (through an Aviom system) to be what we've always been looking for. While I know that the Aviom can never truly replace a good monitor engineer's ability to "know" what the performer needs before they do, the tool is invaluable. Interestingly, we don't have a need for WIRELESS IEMs at this time, since our musicians stay in basically the same place.

None of our musicians have custom-fitted buds. We mostly use Shure E3's (or whatever they are called these days), though the drummer prefers his E2's. We have explored the option several times recently. This blog has me thinking. I have been using my over-the-ear Sennheiser HD280Pro headphones for many years because I couldn't find a good fit that sealed well enough.
Posted by: Jerrod Nash ( Email: | Visit ) at 12/5/2008 7:38 AM


Hi Frank,

I'm curious if you will share the level at which you have been listening?

Is it higher or lower than you "guessed" prior to knowing?

Lemme know,

Fig
Posted by: Thom Fiegle ( Email: | Visit ) at 12/5/2008 9:45 AM


I'm the FOH engineer at Mondavi Center for the Performing Arts. I'm a Future Sonics guy. I've used the old IE3 when Future Sonics was a partner of Sennheiser. I had custom sleeves made for them 5 years ago. Last summer while on tour in Spain, I lost one of the sleeves. I called Future Sonics and they had the mold. After some discussion I decided to get customs. I've had new molds made and am waiting on delivery now. Not only do Future Sonics sound amazing, the customer service, etc. is the best around. Even the new Atrio, which replaced the IE3 sounds great and you can even get custom sleeves for those.
Posted by: Michael Hayes ( Email: ) at 12/6/2008 2:42 PM


I recently got Sensaphonics custom earmolds for Shure SE530 IEMs. I don't use them on-stage, but for editing and mixing (and just listening) on flights. I fly 400-500 hours per year, so I try to keep everything as small and compact as possible. Because of the relatively noisy environment, the choices are limited to the noise-canceling headsets or IEMs. I tried using my closed-back Beyer headphones, but they are just too big and bulky for travel. The noise-canceling headsets all need batteries, and I don't like the sound of most of them - not to mention they aren't really that small anyway.

The custom IEMs are definitely more comfortable than the plastic or foam inserts - especially on really long flights. I have worn the IEMs for 12 hours with no discomfort. I find the noise attenuation and sound really excellent with the custom earmolds - although it takes some getting used-to the first few times trying to stuff that seemingly giant piece of silicone into your ear!

I was able to get the custom earmolds through the local University audiology lab for $100. I just specified which model Shure I had, and sensaphonics makes the mold to fit. Well worth the money in my opinion - I am really happy with the comfort and sound quality.
Posted by: Eric Persson ( Email: ) at 2/2/2009 6:54 PM


As a drummer in a band that uses all electronic frontline and no backline IEM's were a no brainer. I've used dual element Westone
IEMs since 96 (i think) before that it was Etimotic Research ER4's

They have saved my ears and my ass on numerous occasions ,
can't go on stage without um , those who whine about the isolation can continue to do so , I WILL NEVER GO BACK
Posted by: Neil Burgett ( Email: ) at 4/6/2009 9:52 PM


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